NAB2026
Blackmagic Design announced a new model in its URSA Cine series, the “Blackmagic URSA Cine 12K LF 100G.” This digital cine camera supports 100G Ethernet and high frame rates up to 440fps, as well as SMPTE-2110 live production.
Based on the digital film capabilities of the URSA Cine 12K LF, the Blackmagic URSA Cine 12K LF 100G features a large-format RGBW 36x24mm sensor. Its high-speed network performance enables cinematic-quality live production workflows. The Blackmagic URSA Cine 12K LF 100G is scheduled to be released in the third quarter of 2026 at Blackmagic Design retailers worldwide for ¥1,578,000 (including tax). This unit will be on display at the Blackmagic Design booth (#N2502) at NAB 2026.
Movie-quality visuals in live production.
This digital film camera is also designed for live production. This makes it possible to achieve the high cinematic quality previously exclusive to the film industry, even in live broadcasts. The Blackmagic URSA Cine’s dynamic range, frame rate, and color science are designed for use in both recording and live production.
By selecting SMPTE-2110 Live in the menu settings, the camera instantly functions as a live studio camera. It can output SMPTE-2110 IP video in real time via Ethernet connection, supporting resolutions up to 2160p60 and a 16-stop dynamic range. The 100G model can output live video up to 440fps, making it suitable for precise slow-motion replays in sports broadcasting.
Accurate color reproduction using 6th generation color science.
Blackmagic’s 6th generation color science features improved image processing optimized for the URSA Cine sensor. Accurate color reproduction enables natural-looking skin tones. The processing pipeline has been redesigned using 3D LUTs that support the Film, Extended Video, and Video color gamuts, and you can also load your own LUTs to customize the output.
Because the LUT is applied after the color corrector, corrections are made while preserving the film’s entire color gamut. Different color space outputs are possible using preloaded LUTs such as Rec.709, Rec.2020, and PQ, and color gamut compression can also be customized. In addition to two 3D LUT processors supporting different outputs, the URSA Cine now features a dedicated 3D LUT for SMPTE-2110 output.
Support for broadcast B4 lenses and system expansion
The Blackmagic URSA Cine 12K uses broadcasting lenses with the optional B4 lens mount. B4 lenses offer rapid, electronically controlled operation, making them suitable for live production. The mount is designed for RGBW sensors and allows for high-frame-rate Ultra HD shooting in center crop mode. An optional cable is also available to convert the 7-pin EXT connector to a 12-pin Hirose B4 control.
The Blackmagic Media Dock streamlines post-production by mounting up to three Blackmagic Media Modules, enabling high-speed simultaneous access from multiple cameras. The higher-end Blackmagic Media Dock Ultra features two 100G Ethernet ports, providing superior performance even in environments with multiple simultaneous users.
Furthermore, by attaching a 7-inch high-brightness studio viewfinder, the URSA Cine can be used as a full-fledged live production camera. It features touchscreen menu operation, an included sunshade, and brightness, contrast, and focus peaking adjustment functions. Connection and power are supplied via the USB-C port on the front of the camera.
Advanced color grading in live environments
For live production, built-in functions based on DaVinci Resolve’s primary color corrector enable real-time color correction. Standard controls such as iris, black level, and RGB color tint can be operated from the ATEM Camera Control Panel.
Furthermore, the DaVinci Resolve control panel, equipped with a trackball, allows for more precise control. This works through individually adjusting the lift, gamma, and gain of the Y/R/G/B channels. Combining this color corrector with a 16-stop dynamic range makes it possible to create a cinematic look that surpasses conventional broadcast cameras.
“The URSA Cine 12K is a high-performance digital film camera, but we wanted to make its cinematic quality usable in live productions as well,” Grant Petty, CEO of Blackmagic Design, commented. “And with this 100G Ethernet-enabled model, we’ve achieved that in a unique way. 100G Ethernet allows us to shoot cinematic quality SMPTE-2110 live video up to 440fps. And with the new Studio Viewfinder and B4 lens mount, the URSA Cine transforms into a full-fledged broadcast camera. This is live cinema, and we believe it will bring a significant advancement to broadcast image quality.”
