Inter BEE 2025 Exhibition Report
While touring Inter BEE 2025, the evolution of camera accessories and peripheral devices was just as exciting as the cameras and lenses. I would like to report on all the items that I saw and was surprised and intrigued by, all of which have the potential to dramatically change on-site workflows.
Check out the performance of Kippertie’s electronic ND “LCminiND” and Bright Tangerine “Halo”
One of the camera accessories distributors at Inter BEE 2025 is RAID, a distributor here in Japan. RAID is synonymous with the high-end RED Digital Cinema camera, however, the highlight of this year’s exhibition was their proposal for “equipment that improves on-site workflow and can be used for a long time.” One company that particularly caught the attention of visitors was Kippertie, exhibiting in Japan for the first time. The company has garnered a core following up until now, and the high-precision electronic ND cartridge “LCminiND” that was unveiled this time has the potential to revolutionize conventional wisdom on set.
The first thing that surprised me when I saw the actual product was how the mount conversion adapter and electronic ND filter are so efficiently integrated. Filter work, which previously required a matte box, can now be completed with just this mount. Of particular note is the inclusion of a remote control function via iPhone, which allows fine adjustments to the density without touching the camera, making it a valuable tool for one-man operation and gimbal shooting.
Even more interesting is the mechanism that allows you to adjust the back focus using the mount itself without using shims. This feature, which allows you to instantly adjust the focus plane even with a filter attached, is an innovative feature that shortens setup time. It also shows compatibility with major mounts such as EF and RF, making it a topic that professionals looking for practicality cannot miss.
Also at the RAID booth was Bright Tangerine’s universal rig “Halo,” which was a very interesting product. This product offers a solution to the problem many filmmakers face of having to buy a new rig every time they change cameras, by rigging the cage instead of the camera, based on the reverse idea.
Its unique structure, which encloses the camera via a 15mm rod, makes it incredibly versatile, allowing it to be used with a wide range of cameras, from mirrorless cameras like the Nikon Z series to Cinema Line and box cameras. This versatility, which means it can be used over the long term regardless of body shape, also offers a huge advantage in terms of cost performance.
The system also features an optional handle with a mesh structure that ensures breathability, and other ingenious details that show thorough knowledge of the field. Based on the concept of “reducing waste,” this system combines sustainability and practicality, making it an outstanding choice for creators looking to optimize their equipment investments.
ATOMOS strengthens the ecosystem, Portkeys become widespread
The ATOMOS booth showcased the maturity of its ecosystem for monitoring environments. Among the new products introduced by CEO Peter Barber, the evolution of the Shinobi 7 RX was particularly striking. Despite being a 2,200nit high-brightness HDR-compatible monitor, it also has a built-in Wi-Fi video receiver, and when combined with the companion transmitter, the ATOMOS TX, it enables transmissions of up to approximately 300 meters. The benefits of integrating the receiver and monitor are immeasurable.
Additionally, their flagship recorder, the Ninja TX, offered a clear response to the trend toward higher resolution, with a maximum of 8K RAW recording and the adoption of CFexpress Type B. Their approach to comprehensively integrating video, transmission, and audio was filled with the spirit to fundamentally change on-site workflows.
For monitors, we can’t miss Portkeys, which Kenko Professional Imaging (KPI) has begun to sell in earnest. KPI showcased numerous camera accessories at Inter BEE 2025, but this year their monitor selection stood out.
At the KPI booth, in addition to the solidly built 7-inch model “BM7 II DS” that approaches the high-end, the 5.2-inch entry-level model “PT6” was on display at the astonishing price of just under 30,000 yen including tax.
Furthermore, the new “LS7P,” which I got to see in person at the Portkeys booth, not only had a great feel to its all-aluminum body, but also featured a unique exposure tool called “Log Stops,” which was very interesting. Its features, such as the ability to visualize exposure based on the dynamic range information of each camera, and wireless control that allows you to adjust the ISO of your primary camera directly from the monitor, clearly demonstrate the company’s intention to achieve a high level of integration between monitoring and operability. It gives us a strong feeling that this product will rapidly gain popularity in the Japanese market in the future.
Audio, storage, and accessories to brighten up your scene
Not only video, but the evolution of audio equipment is also not to be missed. At the Saramonic booth, we saw new products that will improve the mobility of creators. One product that particularly caught our eye was the new wireless microphone “Saramonic Air.” Despite being made up of two transmitters, it is surprisingly compact, and we were impressed by its expandability, which includes a lavalier microphone input despite its extremely small size, one of the smallest in the industry.
The weather resistance of the WiTalk 9 wireless intercom also drew a lot of attention from the field perspective. Its reliability means it can be used even in rainy weather without fear of breakdown, and the ability to mute the microphone simply by lifting the boom provides an answer to the user’s genuine desire for ease of use.
The Samsung SSD booth by ITG Marketing showcased the evolution of the infrastructure and storage technology that supports this massive amount of data.
While microSD Express’s read speed is five times faster, what was most surprising was the high-speed transfer demo using the latest SSD, the 9100 PRO 8TB, in a Thunderbolt 5 compatible enclosure. Copying a massive 371GB NRAW file was reduced from the previous time of approximately 6 minutes 47 seconds to just 1 minute 4 seconds, and this has the potential to revolutionize the concept of “time” in the production environment.
OpenMoon
Finally, have a look at OpenMoon, a unique brand that brings color and comfort to the shooting site. The company prides itself on being a “supermarket for video production tools,” and its booth was lined with accessories that combine functionality with a variety of colors.
The exhibit was packed with ideas to solve small on-site problems, such as a digital gadget pouch that keeps its shape, colorful and highly durable straps hand-knitted by artisans, and a silicone T-mark that can be used just by placing it. Among equipment that tends to be impersonal, the tools that demonstrate visibility and individuality showed an attitude of trying to make the shooting environment itself brighter and more comfortable, and attracted the attention of many visitors.
